Renaissance Society
Sunday, September 28th, 2008The opening of an installation at the University of Chicago Renaissance Society.
Y’know, the more art I see, the more I realize how little of it interests me. There are only three types of work that tend to catch my attention these days (with rare exception): photography (naturally), video and installation art. Video has the ability to draw you in, often creating a package that makes you think what’s happening on screen is (or could be) real. But an installation can actually do it. Transforming a space, even into something normal but different, can often have such a jarring effect as to make the viewer question what’s real about the space and what isn’t.
I know this isn’t always the primary role of installation art, but many times it’s what I find most intriguing. Sometimes sculptures will embrace this transportational quality. I saw a show a few weeks back when my friend Eric Hancock was in town. The artist had created some type of treehouse in the clouds (although the whole thing looked eerily like a mushroom cloud), and even though I couldn’t climb in it, the scale made me feel like I could have. I instantly forgot that I was standing in a gallery, just looking at a piece of art. This doesn’t happen to me so much with paintings (or photography for that matter).
That’s probably not the best way to judge art, but it’s at least caused me to consider different ways of art-making.





We attended our first openings of the fall gallery season tonight, which was a lot of fun. It wouldn’t have been so, had our friends Katie and Eric not been there. They both left Atlanta/SCAD the same time we did, only Katie is now attending SAIC for her MFA, and Eric is racking up residencies and stuff left and right. I’m jealous of both. But we’re all here in a pretty great city, and it was a lively art scene tonight. Tons of people everywhere.